Women In The Media Essays - Lansing, Michigan, Geraldine Laybourne

Women In The Media What event began the emergence of women as true players in the media? Was it Sherry Lansing's appointment to President of 20th Century Fox in 1980, becoming the first woman to head a studio? Was it Cathleen Black in 1979 becoming the first woman publisher of a weekly consumer magazine, New York? Or did the real power for women in the media come later with Geraldine Laybourne reinventing children's television on Nickelodeon or Judy McGrath sending MTV into 265.8 million households all over the world? Do women in the media, in fact, really have any power today? This paper will examine the power of women in the media through four different women, Sherry Lansing, chair and CEO of Paramount Pictures, Cathleen Black, President of Hearst Magazines, Geraldine Laybourne, Chairman and CEO of Oxygen Media, and Judy McGrath, President of MTV. Sherry Lansing received a Bachelor of Science degree from Northwestern University in 1966. After graduation, Lansing taught English and math at Los Angeles public high schools. She quit teaching to become a model for Max Factor and Alberto-Culiver and also held minor roles in a couple of movies. She is often quoted for calling herself ?a terrible actress.? Still interested in film, Lansing took a few classes at UCLA and the University of Southern California soon becoming an executive story editor for MGM. Only two years later became vice president at Columbia taking charge of such films as The China Syndrome and Kramer vs. Kramer (gmu.edu). Sherry Lansing made history when, in 1980, she became the first woman to be in charge of production at a major studio ? 20th Century Fox. Lansing brought to the movies something that had never been introduced before, the perspective of a woman. This in no way means that Lansing only backed ?chick flicks.? It means that she kept herself in touch with viewers. She put her personal taste aside and thought about what ?the people? wanted to see. Lansing has been quoted several times about her delight in attending the movies. In fact, she attends movies to get a genuine feel for what people really think are good movies. She listens carefully to the comments made during and after a movie. Her female perspective allows her to see things from more than one angle ? her own. One top filmmaker said, ?Sherry's the first executive who succeeded by being a woman, not trying to be a guy. She can be maternal, she can be sexy, she can use her femininity to be manipulative, but she's always, brilliantl y, a woman (guardianunlimited.com).? Today, Sherry Lansing sits on the board of directors of Teach for America and the American Film Institute. Governor Davis appointed her as Regent in March 1999 to a term expiring in 2010 and she currently serves as Vice Chairman of The Regents (upoc.edu). On top of all this, Sherry Lansing has headed hits such as Braveheart, Clueless, Runaway Bride, and The General's Daughter. If the question is whether Sherry Lansing has power in the media, the answer has to be yes. However, if the question is whether Sherry Lansing holds as much power as men in similar positions, I believe it takes more evaluation. Take for instance the comment made by a top filmmaker about Lansing. He takes all of the stereotypes about women and simply applies them to Lansing. Thus saying, Sherry Lansing is diversely stereotypical. Is this comment a compliment? Let's examine it. The first line of the comment appealed to me. It is true, in my opinion, that many women feel they have to act ?masculine? in order to succeed in the business world. However, this is a direct result of the environment and the fact that this man is oblivious as to why women act masculine in the business world made me skeptical of his comment. He confirmed my skepticism by adding that Lansing could be maternal, sexy, and manipulative ? all stereotypes about women. The fact that she had mastered each stereotype and knew when to apply each, to him, made her a brilliant woman. Another instance concerning Sherry Lansing is the headline run in the New York Times after the announcement of her promotion to the head of